Monday, March 2, 2009

C Is The Best Letter Of The Alphabet

I could make excuses, but I'd rather just think about music.

The first letter of my first name!

! Cake - Stickshifts and Safety belts.  Not only is this my favorite Cake song, but it's one of my three favorite love songs ever (The other two are still to come, and they will come, and I will make it clear).  I love this song partially because I think Cake is lyrically one of the best bands I'll live to see, but mostly because it perfectly expresses something small that can mean a lot.  "I need you here with me, not way over in a bucket seat" and "Stickshifts and safety belts, bucket seats have all got to go, when I'm riding in my car, it makes my baby seem so far" are two of the cutest lines I have ever heard sung (It certainly doesn't hurt that it's John McCrea singing them, either).  I haven't found anyone else that feels the same way about this song, or at least anyone who has expressed that love out loud, but I'm sure I will marry someone who does.

@ Cat Power - He War.  This song makes me want to learn to play the piano.  A lot of things do, but I just think this song is beautiful.  It's one of her best songs.  A friend of mine had the opening ten or fifteen seconds as his voicemail in high school, and I won't pretend I didn't call him more because of it.  There have only been a couple things that Chan Marshall has produced that I haven't liked, but it's pretty easy to shrug those off.  She also covers music better than almost anyone in the business (John McCrea aside).

# Cinematic Orchestra - All Things To All Men.  It was hard for me to choose a song by them, mostly because they're more of an experimental jazz group than anything, and this song is especially not indie, but it's important.  They went from nearly perfect jazz to nearly perfect hip-hop in less than ten seconds flat.  It's quite impressive, and certainly it's musically important, so I'm including it for that, if nothing else.  I love this song.  It puts me to sleep.  I'm going to listen to it now.  Good.

$ Cursive - The Radiator Hums.  This may have been the first Cursive song I ever heard.  Otherwise I can't come up with a reason that I chose it over any other Cursive song.  It's not their best.  It's not my favorite.  It's a good song, but who knows.  Listen to it.  It's cool enough.


There's the best letter.  I almost included Clinic, but I decided at the last moment that I could do better with Cursive (I'm not feeling too logical today).  Anyway, there it is.  Now on to D!  I feel like in the spirit of the alphabet, I should just go ahead and skip to T and do They Might Be Giants.  Oh, how I loves the Johns.

Wednesday, February 18, 2009

Bonus Points For Being An Insomniac


I'm a little embarrassed to admit that I like to watch Bret Michael try to "find his soulmate," but I'm doing it and I'm doing it without squinting.  I bring this up because I never get to watch it on time or even at a reasonable hour.  It came on at 02.00AM and I watched, and I was disappointed to see that yet again, that stupid girl with the cheek piercings (I know, ridiculous) was given another chance.  Whatever, I'm getting side tracked.  My point is that I watched it tonight (this morning) and after it was over, something wonderful happened.  VH1 has programming called "Nocturnal State" that comes on way late at night and ends way early in the morning, but enables VH1 to still consider itself a music channel.  I don't usually watch this programming because it gives me an overdose of Ingrid Michaelson and Sara Bareilles and other artists I generally respect but don't want to listen to, but I hadn't found the remote yet and so I continued to watch.  The first song on caught my attention.  

His name is Donavon Frankenreiter, and though he sells out shows and has imitators on Youtube, I've somehow not heard of him.  I was thinking he sounded a lot like Jack Johnson, and I decided to Wiki (I love how that's become a verb.  Wiki-Wiki) him to see what his influences were and find out more about him, and sure enough, he's a long time friend of Jack Johnson's, and in fact used to rent a room at his parents' house in Oahu, Hawaii.  This is just terrific.  I never wanted to admit publicly my love for Jack Johnson, and now I don't have to (I just did!  It felt great!).  I have a whole new artist who sounds incredibly similar to admit my love for.

Terrific.  Anyway, the song I heard was called  Day Dreamer, and if you're like me and don't want to admit that you like Jack Johnson, listen to his music.  It's a wonderful compromise.



Tuesday, February 17, 2009

Today's Post Is Brought To You By The Letter B.

I'm finally in the right frame of mind to write again, so I feel like I should continue the ABCs.  Maybe later I will do my homework, too.  Who knows what could happen??!?

B:

! Beirut - Elephant Gun.  The song starts with a simple ukelele and builds gradually to what seems like an entire symphony.  I've not heard a Beirut song I don't like, and I think that Zach Condon, who essentially IS Beirut, is one of the most creative song writers I've ever heard.  He's heavily influenced by Balkan Gypsy music, and recorded his first album almost entirely on his own.  He may very well be the only person who didn't graduate from high school that I will ever have a crush on.  What an awesome guy.

@ Bright Eyes - Will You Will You Will You Whatever, I don't actually know the name of the song.  As much as I hate to admit it, Bright Eyes is kind of a staple of Indie rock.  As much as I hate to admit it, I'm going to.  Conor Oberst did a lot for music.  Fuck, that was harder than it should have been.  This is a completely tolerable song for me, though, even up to the point that Conor Oberst BARELY sounds like a sheep when he sings at least part of it.  It's off the album Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground.  I don't think I butchered that title, but I certainly butchered the song title.  How am I supposed to do this?

# Ben Folds - Army.  I'm particularly attached to this song partially because of the way he performs it, but partially because of the story behind it.  It is my favorite Ben Folds song(But for the record, Terra, I almost used Annie Waits) because of how he performs it.  He gets the audience involved through the entire song, he seems like he really needs to perform it, and it's an upbeat song.  Granted, he gets the audience involved a lot, and does something similar with a lot of different songs, but I had to choose one and this one is my favorite.  The first time I saw him live, he explained the song, even to the individual lines.  It's a story of how he came to be the musically internationally renowned Ben Folds, instead of Ben Folds Esquire or M.D. or any other sort of thing.  He changed a few details for sake of making the song flow better, or rhyme better(He changed "Hardeez" to "Chick-Fil-A," for instance).  It's a great song by a great artist.  Check him out.

$ Andrew Bird - Fake Palindromes.  Once again, I chose my favorite song.  I have a feeling I'm going to be doing this a lot.  I thought Andrew Bird was especially important because he's coming to my home town in March, but also because he's musically different from most artists.  He calls himself a professional whistler, and I'm honestly sorry I didn't choose a song in which he whistles a lot.  He's very good, but he's also a very good singer, and a fantastic song writer.

I'm going to confess, I really just want to skip to the letter M.  It's going to be my favorite, I think, but I know I'll have a major problem choosing what Mates of State song to post.  Oh well, motivation to continue.

Monday, February 2, 2009

The ABCs Of Your Indie Rock Education

Due to popular demand, I am beginning an educational tour of Indie Rock as told by the American alphabet.  I was initially going to do one song per letter and post the entire alphabet at once, but when I couldn't narrow even the letter A down to one artist, I decided to do it letter by letter.  This might even be beneficial, and most people will probably be more inclined to learn a couple new bands at once over twenty-six.  Good idea, Rabbit.  So without further adieu, I give you the letter A:

! Aberfeldy - Summer's Gone.  This song has gotten some great PR, mostly due to a Diet Coke commercial featuring clips of it.  A lot of people in turn know the song in the same way that they know the song "Picture Book" by The Kinks.  A couple lines here and there, the basic melody, really all that's important about any song to most people.  The band is from Scotland, is named after a town there, and they are still together.

@ AIR - High School Lover.  This is sort of a sister song to Playground Love, which could easily be Air's most popularly loved song.  I personally prefer High School Lover, partially because it's certainly an abbreviated version, and partially because it, unlike Playground Love, is entirely instrumental, and I appreciate music that can float without lyrics.  The song is a bit dreamy and romantic, and has a tendency to make me feel really nostalgic.  Air is from France and they are still together.  They're about due for another album, too, I think.

That's all I have for now.  Tomorrow, I'll address the letter B.  Surely Beirut will come up.

Friday, January 16, 2009

Rocked Classically

I was in my American Humanities class the other day and we were talking about what defines classic rock.  My professor made some comment about how we really have no idea what will be considered classic in thirty years.  He said that the only time we will really know is when it actually comes to that point in the future.  I have an unfortunately large musical ego, and I just feel like there is a way to predict it.

Most of today's classic rock is derivative of the sixties and seventies, and it seems pretty evident to me what from the eighties will be defined as classic.  Groups like Duran Duran, Tears for Fears, David Bowie, and Talking Heads have already become staples for their time, and are rapidly approaching classic.  The styles of these groups and the sounds produced by them largely embody what is known about the eighties.  They surely are classic.  So following this pattern and comparing present-day artists with those from the past, I have come up with a few sure classics.  Granted, I listen to more Indie than anything else, so the list is pretty biased, but it still can stand on its own, and I didn't even include Mates of State, which is a pretty big step for me.  Here it is.  Enjoy.

Arcade Fire was the first group that came to mind.  Not only are all of them ridiculously talented, but their music is identifiable even if you've only heard a couple songs, and they are extremely cool people.  Anyone who plays an entire set on an elevator and still interacts with the audience deserves to be considered classic, even ignoring the creativity and brilliance of the group.  Win Butler had to duck down just to fit on the freight elevator they played on, and yet his performance wasn't lacking in the slightest.


I also believe that Gorillaz will go down like Led Zeppelin.  Both groups are way underappreciated, and both are very versatile in their styles.  Gorillaz is one of the most musically diverse groups I've ever encountered, and I think it's a shame they haven't gained more popularity (even despite the fact that Demon Days reached number one on the charts in UK).  Maybe their playing behind a screen for their first tours hurt them a little more than it helped them, but they are still extremely talented (Damon Albarn alone could very well make it into the classics for his work in Gorillaz and Blur).

Modest Mouse was my third classic.  It took me a while to admit it, but it's true.  They aren't that great, but they are interesting to listen to, and do have a staying power unlike most groups.  Going on seventeen years, they still change from album to album and from song to song.  Even albums that as a whole are not noteworthy (Good News For People Who Love Bad News) usually have a couple songs (Bukowski, Satin In A Coffin) that are worthwhile.  They seem, as a whole, to be comparable to groups like Duran Duran.  While not the best music or the most talented musicians, they always provide something identifiable and memorable and sometimes even catchy.

And lastly, what could be said without Radiohead?  They've spouted out hit after hit without ever sounding like cookie cutter popular music.  As an added bonus, they have greater interviews than just about anyone else, ever.  Hearing Thom Yorke talk about how he hears Creep on the radio and it doesn't even register that it's him anymore can probably draw anyone in, and hearing Johnny Greenwood talk about stalkers is one of the funniest things I've ever heard.  Great guys, great, timeless music.

I know there are plenty of other artists that are worthwhile as classics, including some of my favorites, that I don't even need to get into.  Pixies comes to mind, and so does Architecture in Helsinki, as well as even Justin Timberlake, Jurassic 5, and plenty of others.  I not only don't have time to list my reasons for these, but I don't have interest to do so.  Suck it up, enjoy what you have, and trust me.

Calder!

I Think We Should Start With A Mix

17 Easy Steps To Re-Animating Your Ass Only To Rock It Back Into The Ground

1. Sonic Youth - Bull In The Heather
2.  The North Atlantic - Swallow Fire
3. Be Your Own Pet - Girls On TV
4. Matt & Kim - Verbs Before Nouns
5. Ween - Roses Are Free
6. YACHT - The Magic Beat
7. Lightning Bolt - Crown Of Storms
8. The Blood Brothers - Live At The Apocalypse Cabaret
9. New Young Pony Club - Ice Cream
10. CAKE - War Pigs
11. Kasabian - Shoot The Runner
12. Le Tigre - My My Metrocard
13. Massive Attack - Danny The Dog
14. The Breeders - Little Fury
15. John Lennon & Yoko Ono - Every Man Has A Woman Who Loves Him
16. The Gossip - Yr Mangled Heart
17. Architecture In Helsinki - Heart It Races (Yacht's I Should Coco Mix)